BRILLIANT AT T1.3: FORGING NEW EXPRESSIONS. HERE BEGINS A NEW BENCHMARK FOR FILMMAKING.
Introducing the Aizu Prime Line―the world's first* lineup of large-format cinema lenses to achieve an aperture value of T1.3 across all focal lengths.The lineup combines modern sharpness with an organic and naturally soft look, bringing rich texture and depth to visuals.Boasting unparalleled brightness, refined expression, and reliable performance, the Aizu Prime Line embodies the proven technology and quality of “Made in Aizu, Japan” establishing the new standard.The lineup of 12 lenses features a consistent T1.3 aperture across the full range from 18mm to 125mm. The initial release includes 8 lenses with focal lengths from 25mm to 75mm, covering core cinematic production needs.
*As of June 2025, by Sigma.
About Love Filmed by Kanamé Onoyama
Director Interview
Love is a universal theme, yet it takes countless forms. In this project, I aimed to capture its essence through a sequence of short, emotionally impactful scenes within a five-minute film. This was more than just a lens performance test—it was an exploration of how the lens would resonate with human emotions. Love is complex. It can be passionate, familial, platonic, unfulfilled, or even transform into hatred or jealousy. This film weaved together these different facets, challenging the Sigma Aizu Prime Line to capture the subtlest nuances of human emotion.
This project was to balance cinematic beauty with the realism of improvised performances. The primary shooting style was handheld, with other styles selectively used where needed. Depending on the scene, we shot on 35mm film for a classic cinematic look. Having the Sony Venice 2 as a main camera, for travel sequences, the Sony FX3 allowed for spontaneous filming without special permits, making full use of natural light and ambient sound for immersive storytelling.The crew was kept to a taxi-sized team, with additional assistants or technicians brought in only for larger equipment needs. This approach ensured efficiency while capturing a wide variety of locations and subjects in a short time.
Director DP: Kanamé Onoyama Editor: Julie Gaufreteau Editor: Vincent Fleischmann Editing House: Everest Studio Mastering: 42 // post.studio Sound Mixer: Nassim El Mounabbih Sound Studio: Dinosaures Colorist: Vincent Amor Music: Clément Ferrigno Mixing Engineer: Hugo Brient Violin: Maria Grig Drums: Andrea Romaggioli Director’s Assistant: Isabelle Perrot BTS: takachrome Title Design: Chiori Takeda