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Aizu Prime 40mm T1.3 LF

UGC CA40PLF
$10,499.95
Mount
Markings
Disponibilité: Translation missing: fr.general.icons.icon_check_circle icône Pre-Order - You will be charged the full purchase price at checkout. Pre-orders are considered special orders and may not be cancelled or returned. We will fulfill your order as soon as this item becomes available. Please place a separate order for any in stock items.

  • A consistent T1.3 across all focal lengths
  • Optical design for the demands of cinema
  • Huge perspective range coverage
  • Completely consistent look
  • φ46.3mm image circle
  • High-impact close-up expression
  • A compact design that unleashes creativity
  • Precise operation and durability
  • Supports ZEISS eXtended Data

BRILLIANT AT T1.3: FORGING NEW EXPRESSIONS. HERE BEGINS A NEW BENCHMARK FOR FILMMAKING.

Introducing the Aizu Prime Line―the world's first* lineup of large-format cinema lenses to achieve an aperture value of T1.3 across all focal lengths.The lineup combines modern sharpness with an organic and naturally soft look, bringing rich texture and depth to visuals.Boasting unparalleled brightness, refined expression, and reliable performance, the Aizu Prime Line embodies the proven technology and quality of “Made in Aizu, Japan” establishing the new standard.The lineup of 12 lenses features a consistent T1.3 aperture across the full range from 18mm to 125mm. The initial release includes 8 lenses with focal lengths from 25mm to 75mm, covering core cinematic production needs.

*As of June 2025, by Sigma.

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About Love
Filmed by Kanamé Onoyama

Director Interview

Love is a universal theme, yet it takes countless forms. In this project, I aimed to capture its essence through a sequence of short, emotionally impactful scenes within a five-minute film. This was more than just a lens performance test—it was an exploration of how the lens would resonate with human emotions. Love is complex. It can be passionate, familial, platonic, unfulfilled, or even transform into hatred or jealousy. This film weaved together these different facets, challenging the Sigma Aizu Prime Line to capture the subtlest nuances of human emotion.

This project was to balance cinematic beauty with the realism of improvised performances. The primary shooting style was handheld, with other styles selectively used where needed. Depending on the scene, we shot on 35mm film for a classic cinematic look. Having the Sony Venice 2 as a main camera, for travel sequences, the Sony FX3 allowed for spontaneous filming without special permits, making full use of natural light and ambient sound for immersive storytelling.The crew was kept to a taxi-sized team, with additional assistants or technicians brought in only for larger equipment needs. This approach ensured efficiency while capturing a wide variety of locations and subjects in a short time.

Director DP: Kanamé Onoyama
Editor: Julie Gaufreteau
Editor: Vincent Fleischmann
Editing House: Everest Studio Mastering: 42 // post.studio
Sound Mixer: Nassim El Mounabbih
Sound Studio: Dinosaures
Colorist: Vincent Amor
Music: Clément Ferrigno
Mixing Engineer: Hugo Brient
Violin: Maria Grig
Drums: Andrea Romaggioli
Director’s Assistant: Isabelle Perrot
BTS: takachrome
Title Design: Chiori Takeda

【Behind The Scenes】About Love