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AF Cine Line 28-45mm T2 FF

SKU CAF2845SF
$4,399.95
Mount
Markings
Availability: Translation missing: en.general.icons.icon_check_circle icon Pre-Order - You will be charged the full purchase price at checkout. Pre-orders are considered special orders and may not be cancelled or returned. We will fulfill your order as soon as this item becomes available. Please place a separate order for any in stock items.

Begins Shipping: December 4, 2025

As the first AF-compatible Cine Lens series from Sigma, the Sigma AF Cine Line brings innovation to the film production scene.

Building on the optical system of Sigma’s Art lenses, the AF Cine Line offers exceptional rendering performance, along with high-precision autofocus with excellent tracking capability, combined with the ergonomics required for professional cinema production.

This allows it to handle multiple shooting styles and on-set environments that were previously challenging with traditional still lenses or cine lenses.

The AF Cine Line, which embodies Sigma’s latest technology, expands the possibilities of visual expression and brings new possibilities to future film production.

Advanced optical design and outstanding rendering performance
The optical systems of the Sigma 28-45mm T2 FF incorporate the designs of the highly acclaimed still lenses: the Sigma 28-45mm F1.8 DG DN | Art. Combining the experience gained through years of lens design, the latest development technology, and the advanced manufacturing techniques of Sigma's sole production base, the Aizu factory, these lenses deliver exceptional resolution and beautiful bokeh regardless of focal length or focus position, along with a sharp, clean look with minimal flare and ghosting.

Professional-grade mechanical design and operability
Inheriting the rendering performance and reliability of Sigma’s Art lenses, the AF Cine Line integrates cinema-style mechanics and operability, optimized for professional cinema production. It features a limited-rotation focus ring, industry-standard 0.8M pitch gears, and a clickless aperture ring to meet industry demands.

AF system with excellent tracking capability and near-silent operation
Equipped with a linear motor HLA (High-response Linear Actuator), the Sigma AF Cine Line captures intense movements in action scenes, rapid focus shifts in gimbal or handheld shooting, and unpredictable moments in documentaries without missing a split second, providing reliable support for filmmakers in various shooting situations.

BRILLIANT AT T1.3: FORGING NEW EXPRESSIONS. HERE BEGINS A NEW BENCHMARK FOR FILMMAKING.

Introducing the Aizu Prime Line―the world's first* lineup of large-format cinema lenses to achieve an aperture value of T1.3 across all focal lengths.The lineup combines modern sharpness with an organic and naturally soft look, bringing rich texture and depth to visuals.Boasting unparalleled brightness, refined expression, and reliable performance, the Aizu Prime Line embodies the proven technology and quality of “Made in Aizu, Japan” establishing the new standard.The lineup of 12 lenses features a consistent T1.3 aperture across the full range from 18mm to 125mm. The initial release includes 8 lenses with focal lengths from 25mm to 75mm, covering core cinematic production needs.

*As of June 2025, by Sigma.

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About Love
Filmed by Kanamé Onoyama

Director Interview

Love is a universal theme, yet it takes countless forms. In this project, I aimed to capture its essence through a sequence of short, emotionally impactful scenes within a five-minute film. This was more than just a lens performance test—it was an exploration of how the lens would resonate with human emotions. Love is complex. It can be passionate, familial, platonic, unfulfilled, or even transform into hatred or jealousy. This film weaved together these different facets, challenging the Sigma Aizu Prime Line to capture the subtlest nuances of human emotion.

This project was to balance cinematic beauty with the realism of improvised performances. The primary shooting style was handheld, with other styles selectively used where needed. Depending on the scene, we shot on 35mm film for a classic cinematic look. Having the Sony Venice 2 as a main camera, for travel sequences, the Sony FX3 allowed for spontaneous filming without special permits, making full use of natural light and ambient sound for immersive storytelling.The crew was kept to a taxi-sized team, with additional assistants or technicians brought in only for larger equipment needs. This approach ensured efficiency while capturing a wide variety of locations and subjects in a short time.

Director DP: Kanamé Onoyama
Editor: Julie Gaufreteau
Editor: Vincent Fleischmann
Editing House: Everest Studio Mastering: 42 // post.studio
Sound Mixer: Nassim El Mounabbih
Sound Studio: Dinosaures
Colorist: Vincent Amor
Music: Clément Ferrigno
Mixing Engineer: Hugo Brient
Violin: Maria Grig
Drums: Andrea Romaggioli
Director’s Assistant: Isabelle Perrot
BTS: takachrome
Title Design: Chiori Takeda

【Behind The Scenes】About Love